#: locale=en
## Tour
### Description
### Title
tour.name = WeMU CWC22 L1 EN
## Skin
### Button
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Button_4A0D7589_221C_0423_41AB_D986D9511A4A.label = LEVEL 2 / EWC21
Button_4A0D7589_221C_0423_41AB_D986D9511A4A_mobile.label = LEVEL 2 / EWC21
Button_4D9E7C69_221C_04E0_41A4_918594968926.label = LEVEL 1 / CWC22 - HERITAGE
Button_4D9E7C69_221C_04E0_41A4_918594968926_mobile.label = LEVEL 1 / CWC22 - HERITAGE
Button_4E1A98D1_2264_0C23_41B2_A81ED18DFC1A.label = THE TANK / CWC22 - RED HEART
Button_4E1A98D1_2264_0C23_41B2_A81ED18DFC1A_mobile.label = THE TANK / CWC22 - RED HEART
Button_7D464717_222C_0420_41B1_7787C8D678BF.label = LEVEL 3 / CWC22 - DEEP NATURE
Button_7D464717_222C_0420_41B1_7787C8D678BF_mobile.label = LEVEL 3 / CWC22 - DEEP NATURE
## Media
### Title
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## Popup
### Body
htmlText_8222E287_BFF4_0458_41C1_F5C24D77EF36.html =
The images float and twist; the shapes mix. Legibility and order abandon themselves to a new visual tension, of pulsating images, as a natural extension of the experience of dance. A union of mysticism and underground, pop and deco, east and west.
San Francisco 1968
Lorenzo de Grandis
htmlText_8223528B_BFF4_0468_41DE_FC85AAFF0890.html = The synthesis of this work is two hands meeting, interlocking. They are the wish for an inseparable union that multiplies, generating infinite potential. The second encounter in this work is between paper and marble, almost a paradox, but we have since learnt that paper can do anything... or almost anything.
Le Dictateur
htmlText_8223C289_BFF4_0468_41B2_5AD0BF281ADD.html = Conciergerie is reminiscent of the hotels of the past, when guests were welcomed by a large wall, where the tassels on the key rings, alternating with the mail and newspapers being delivered, created different patterns each time, depending on the number of guests.
Objects in motion create movement that is not only useful, but also decorative and fascinating, almost becoming an archetype of hotel hospitality.
"When you enter a hotel room and close the door, you know there is a secret, a luxury, a fantasy. There is comfort. There is reassurance."
Diane von Furstenberg
Paolo Badesco - Costantino Affuso
htmlText_893219B1_BB66_E64C_41AF_11B53C4184DC.html = Close your eyes and let yourself be taken on board an old Mehari on the streets of Capri. A well-deserved stop under the palm trees, shirt open and panama on your head. Your holiday in Italy has just begun!
Lorenzo de Grandis
htmlText_8F8A701D_BB61_A677_41E1_2BC401551578.html = Blacksmithery subdues iron in geometric shapes. It is a sort of human power over nature. In the north of Portugal, I was inspired by the charming encounter of inhabited places with iron gates, balconies, and windows overcome by deep nature. Deserted houses surrounded by brush, plants, dust, and leaves reminded me of a place where people lived, dreamed. Iron returns to nature. Textures and colors are created naturally.
Mixed feelings have filled my soul. Light grief, fleeting boredom on rainy summer days.
Maria Gomez Garcia
htmlText_908398ED_BB61_A7D4_41E2_755CB1C83F50.html = I imagined Texas and surreal situations in which some plants, like this agave, rich in water inside, can find life in the most arid of deserts. An octopus of chlorophyll that moves its tentacles over a dusty and cracked earth.
Klaus Kremmerz
htmlText_91B8FB01_BB22_DA4F_41E4_FFE9571C48E6.html = As a child, I visited Egypt and was given a beautiful turquoise scarab ring. Scarabs were popular amulets in Ancient Egypt. The Egyptian god Khepri was often depicted as a scarab beetle, rolling the sun above the horizon, carrying it to the other world before renewing it the next day. I found this object fascinating and emblematic, so I used ancient photos as a base for my drawing. After experimenting with many compositions, I chose a dynamic diagonal composition, as if they were flowers floating on water. As the observer approaches, they discover the story of the scarab god, and perhaps be rewarded with some good luck?
Tal Waldman
htmlText_923F0D94_BB26_5E75_41C6_2B634C3C3B89.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are acrylic and mixed technique paintings on wooden boards; with Wall&decò they have become macro subjects on the entire wall.
The images arise from a single module that generates unlimited variations.
It is intended as a tribute to all the women of the world and their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and strength.
Anna Vermiglia de Carlo
htmlText_956022D8_BB62_6BFD_41D0_6915A240AD60.html = We finally landed on the island. Beyond the beach we entered a thick, dark, lush forest that was home to a myriad of bird species, lost in what could have been paradise...
Have you ever wanted for a moment to escape from everything and everyone, to live on a desert island?
Lorenzo de Grandis
htmlText_95C34413_BB6E_EE73_41D2_B692BD5ED0E2.html = Earl Grey is inspired by the frescoes of Pompeii and by certain medieval decorations that saw the walls of rooms being broken down to let nature in - in both cases a serene nature, tamed by man, the Garden of Eden where flowers, fruit and animals, especially birds, happily mingle.
For my graphic composition I focused my attention on the birds, envisaging an abstract representation through various textures and colours, but always in the name of lightness, inserted within a grid, a trompe l'oeil element on which the vegetation climbs, resulting in an orderly composition.
Francesca Zoboli
htmlText_98C8B0FD_BFF4_05A8_41E1_88ED71F6B129.html = Nature that moves through a gesture, that of the hand. Inspired by geometric primitive paintings, a sign of protection and integration with the world.
Studiopepe
htmlText_98C900FE_BFF4_05A8_41C0_AC7C066A9BCB.html = Born from the union of industrial aesthetics and haute couture sophistication, O.S. is a pattern created with two elements that are dear to me: the circle, here declined as a ring, and a stylised S. The weave is a geometric mesh with great decorative power, which exploits the charm of the mechanical components of chains and shutters to create a pattern worthy of a haute couture fashion house.
Tommaso Spinzi
htmlText_98CA90F9_BFF4_05A8_41B8_A15659D07DCB.html = The use of material textures is intended to make the wall a witness to the passage of time, of entropy, which is crescendoing towards a maximum of disorder with maximum stability - just as we also tend towards material disorder when striving for spiritual stability. The patchwork of fabrics, the erosion of plaster, the almost violent rips, are all elements used to elevate matter and its tactile properties to a visual element and protagonist of space, a synesthesia of two senses.
"Everything is a matter of art and art is all matter."
Andros
Paolo Badesco - Costantino Affuso
htmlText_98CBD0FB_BFF4_05A8_41E3_1976D776280D.html = A tribute to my grandmother and how she managed to be an interpreter of her era. A tribute to the 40s, to the clothes, the textures, the fascinating and timeless fashion of that period that made women both feminine and self-confident, despite the uncertainty of the historical period between the two wars.
Gupica
htmlText_98E12E01_BB22_BA4F_41C1_0EFE16DD7A3F.html = The images float and twist; the shapes mix. Legibility and order abandon themselves to a new visual tension, of pulsating images, as a natural extension of the experience of dance. A union of mysticism and underground, pop and deco, east and west.
San Francisco 1968
Lorenzo de Grandis
htmlText_98E14E02_BB22_BA4D_41CC_C73A9252D072.html = Conciergerie is reminiscent of the hotels of the past, when guests were welcomed by a large wall, where the tassels on the key rings, alternating with the mail and newspapers being delivered, created different patterns each time, depending on the number of guests.
Objects in motion create movement that is not only useful, but also decorative and fascinating, almost becoming an archetype of hotel hospitality.
"When you enter a hotel room and close the door, you know there is a secret, a luxury, a fantasy. There is comfort. There is reassurance."
Diane von Furstenberg
Paolo Badesco - Costantino Affuso
htmlText_98E1DE00_BB22_BA4D_41C6_7D5CA3D33C58.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_98E2FE04_BB22_BA55_41E6_B4F2B645A58A.html = The synthesis of this work is two hands meeting, interlocking. They are the wish for an inseparable union that multiplies, generating infinite potential. The second encounter in this work is between paper and marble, almost a paradox, but we have since learnt that paper can do anything... or almost anything.
Le Dictateur
htmlText_98FB5DFD_BB22_B9B7_41E5_132F6F6115E5.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_9D64A285_BB22_EA57_419D_780327309234.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_9D999288_BB22_EA5D_41E3_548FA8E58617.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_9D99D28B_BB22_EA53_41CC_3E58E056391D.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are paintings made in acrylic and mixed techniques, on wooden boards, which now, with Wall&decò, become macro subjects on the entire wall.
The images arise from a single module from which unlimited variations are generated.
It is intended as a tribute to all the women of the world and to their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and to their strength.
Anna Vermiglia de Carlo
htmlText_A167F1FD_BFCC_07A8_41E2_CBF5B218374F.html = An ancient dwelling that tells the story of life and time through the decorations on the walls.
Taken individually, the textures of the mortars, the stencils and small ornamental details offer a mirror of successive eras, composing a contemporary plot that generates a new decorative motif.
Christian Benini
htmlText_A1681201_BFCC_0458_41D2_680DA2A75C58.html = Patterns created by geometric repetitions in which past and present mingle with contemporary vivacity.
Studiopepe
htmlText_A20096CF_BAE6_ABD3_41C3_6C9AE5A02607.html = The images float and twist; the shapes mix. Legibility and order abandon themselves to a new visual tension, of pulsating images, as a natural extension of the experience of dance. A union of mysticism and underground, pop and deco, east and west.
San Francisco 1968
Lorenzo de Grandis
htmlText_A2F8D8C3_BAC9_CF21_4193_9158E9636391.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are paintings made in acrylic and mixed techniques, on wooden boards, which now, with Wall&decò, become macro subjects on the entire wall.
The images arise from a single module from which unlimited variations are generated.
It is intended as a tribute to all the women of the world and to their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and to their strength.
Anna Vermiglia de Carlo
htmlText_A3AC197D_BAD9_41E1_4198_457DCB2BA49D.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_A404A176_BFCC_04B8_41E0_49F7C80ECA1D.html = Finally, if you look at them closely, the houses and spaces we live in become far removed from the styles and images we set out to achieve. They are made up of "infinite combinations of practices and feelings", perpetually shuffled just like in a card game.
Gio Tirotto
htmlText_A409C179_BFCC_04A8_41C5_0E9070D944A3.html = Bistrot is a boiserie created through associations of materials such as wool, metal profiles and oversized briar surfaces reminiscent of historic Parisian bistros.
Interpreted both in a warm colour tone of brown and yellow and in a cooler version with shades of blue and grey, the common element of these graphics is the presence of a wool fabric placed in the lower portion of the boiserie itself.
Federico Peri
htmlText_A40A617C_BFCC_04A8_41D6_EC520E822ACF.html = Wooden panels reveal natural images with a vintage feel, stored in precious cases.
Serena Confalonieri
htmlText_A40AA17E_BFCC_04A8_41E4_09B0D39EBF22.html = A modern tribute to Mantegna and Bramante, a contemporary trompe l'oeil that deceives the viewer's eyes, giving the illusion of a non-existent reality. Space is dilated and an ambiguity is created that makes what is actually two-dimensional appear three-dimensional. A sort of set design that merges with the environment and transcends its limits, a simulation of the physical world, which gives life to a subtle game of cross-references between reality and perceptive illusion.
Paolo Badesco - Costantino Affuso
htmlText_A40AE17F_BFCC_04A8_41E1_0AB014F83706.html = The visual fragment of an area of passage, between one floor and another, between one story and another. The illusion of a staircase as an element of connection and detachment, the intermediate floor where you can imagine the infinite and metaphorical extension of a building. Behind the observer, above and below this intermediate floor, the many possible residences and stories where the staircase is a service element, a connection, a link, a place to meet, linger and receive.
Bertero Marzoli
htmlText_A6E5A1CD_BAE2_E9D7_41D7_364B80FED7D3.html = Conciergerie is reminiscent of the hotels of the past, when guests were welcomed by a large wall, where the tassels on the key rings, alternating with the mail and newspapers being delivered, created different patterns each time, depending on the number of guests.
Objects in motion create movement that is not only useful, but also decorative and fascinating, almost becoming an archetype of hotel hospitality.
"When you enter a hotel room and close the door, you know there is a secret, a luxury, a fantasy. There is comfort. There is reassurance."
Diane von Furstenberg
Paolo Badesco - Costantino Affuso
htmlText_A7F695AF_BB23_AE53_41E5_CAB372CBBE15.html = The synthesis of this work is two hands meeting, interlocking. They are the wish for an inseparable union that multiplies, generating infinite potential. The second encounter in this work is between paper and marble, almost a paradox, but we have since learnt that paper can do anything... or almost anything.
Le Dictateur
htmlText_A90097B9_BAE2_E9BF_41D5_EC2D0CEFF2A6.html = HERITAGE
The ambience of today that comes from what we have and what we manage to preserve from the past.
Objects and details from the family heritage enhance the environment, making it unique thanks to the history they tell and pass on.
A stratification of materials, geometries and, last but not least, of lives, creates a new contemporaneity, a skilful mix of past and present, which is elegant and never chaotic.
htmlText_A932575F_BFDC_0CE8_4192_9E5E9A595BB7.html = The synthesis of this work is two hands meeting, interlocking. They are the wish for an inseparable union that multiplies, generating infinite potential. The second encounter in this work is between paper and marble, almost a paradox, but we have since learnt that paper can do anything... or almost anything.
Le Dictateur
htmlText_A933575C_BFDC_0CE8_41E7_76812C12E88B.html = The images float and twist; the shapes mix. Legibility and order abandon themselves to a new visual tension, of pulsating images, as a natural extension of the experience of dance. A union of mysticism and underground, pop and deco, east and west.
San Francisco 1968
Lorenzo de Grandis
htmlText_A933A75E_BFDC_0CE8_41D5_DB97AB96F71B.html = Conciergerie is reminiscent of the hotels of the past, when guests were welcomed by a large wall, where the tassels on the key rings, alternating with the mail and newspapers being delivered, created different patterns each time, depending on the number of guests.
Objects in motion create movement that is not only useful, but also decorative and fascinating, almost becoming an archetype of hotel hospitality.
"When you enter a hotel room and close the door, you know there is a secret, a luxury, a fantasy. There is comfort. There is reassurance."
Diane von Furstenberg
Paolo Badesco - Costantino Affuso
htmlText_A93917AF_BABE_C162_41E0_905273CBE7DD.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_A939D75A_BFDC_0CE8_41B8_596756D666E5.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_ACDEE212_BAC6_C323_4182_EC6FF88A9FCC.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_AF2A1863_BAFF_A6D3_41E4_334DA57324A5.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_AF2A5861_BAFF_A6CF_41E3_946174158F67.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_AF2BE860_BAFF_A6CD_41E6_B26A70AD0912.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_AF50D85E_BAFF_A6F5_41D9_2EB884250405.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_C3B12473_BB26_6ECC_41D3_13482FBB2A2D.html = Born from the union of industrial aesthetics and haute couture sophistication, O.S. is a pattern created with two elements that are dear to me: the circle, here declined as a ring, and a stylised S. The weave is a geometric mesh with great decorative power, which exploits the charm of the mechanical components of chains and shutters to create a pattern worthy of a haute couture fashion house.
Tommaso Spinzi
htmlText_CBA37452_BB22_EECD_41C4_8E22870EA07B.html = The use of material textures is intended to make the wall a witness to the passage of time, of entropy, which is crescendoing towards a maximum of disorder with maximum stability - just as we also tend towards material disorder when striving for spiritual stability. The patchwork of fabrics, the erosion of plaster, the almost violent rips, are all elements used to elevate matter and its tactile properties to a visual element and protagonist of space, a synesthesia of two senses.
"Everything is a matter of art and art is all matter."
Andros
Paolo Badesco - Costantino Affuso
htmlText_CBD59EBF_BB26_BBB3_41DE_8AE8D6C080C5.html = A modern tribute to Mantegna and Bramante, a contemporary trompe l'oeil that deceives the viewer's eyes, giving the illusion of a non-existent reality. Space is dilated and an ambiguity is created that makes what is actually two-dimensional appear three-dimensional. A sort of set design that merges with the environment and transcends its limits, a simulation of the physical world, which gives life to a subtle game of cross-references between reality and perceptive illusion.
Paolo Badesco - Costantino Affuso
htmlText_CBE9A230_BB2E_6A4C_41D3_743929C5D63A.html = Bistrot is a boiserie created through associations of materials such as wool, metal profiles and oversized briar surfaces reminiscent of historic Parisian bistros.
Interpreted both in a warm colour tone of brown and yellow and in a cooler version with shades of blue and grey, the common element of these graphics is the presence of a wool fabric placed in the lower portion of the boiserie itself.
Federico Peri
htmlText_CD51B491_BB2E_6E4F_41E6_18807B6AC596.html = Nature that moves through a gesture, that of the hand. Inspired by geometric primitive paintings, a sign of protection and integration with the world.
Studiopepe
htmlText_CFAAE224_BB22_AA54_41E0_D3E9B68AE788.html = A tribute to my grandmother and how she managed to be an interpreter of her era. A tribute to the 40s, to the clothes, the textures, the fascinating and timeless fashion of that period that made women both feminine and self-confident, despite the uncertainty of the historical period between the two wars.
Gupica
htmlText_D0530F10_BB26_7A4D_41E4_7EAE59A059D1.html = Finally, if you look at them closely, the houses and spaces we live in become far removed from the styles and images we set out to achieve. They are made up of "infinite combinations of practices and feelings", perpetually shuffled just like in a card game.
Gio Tirotto
htmlText_D2FA2FC9_BB22_D9DC_41E5_E8286E474F8F.html = Wooden panels reveal natural images with a vintage feel, stored in precious cases.
Serena Confalonieri
htmlText_D6B8E64F_BFBC_0CE8_41D1_DFE4EF0A0E9C.html = The use of material textures is intended to make the wall a witness to the passage of time, of entropy, which is crescendoing towards a maximum of disorder with maximum stability - just as we also tend towards material disorder when striving for spiritual stability. The patchwork of fabrics, the erosion of plaster, the almost violent rips, are all elements used to elevate matter and its tactile properties to a visual element and protagonist of space, a synesthesia of two senses.
"Everything is a matter of art and art is all matter."
Andros
Paolo Badesco - Costantino Affuso
htmlText_D6BD0654_BFBC_0CF8_41DD_C62CA38B4753.html = Born from the union of industrial aesthetics and haute couture sophistication, O.S. is a pattern created with two elements that are dear to me: the circle, here declined as a ring, and a stylised S. The weave is a geometric mesh with great decorative power, which exploits the charm of the mechanical components of chains and shutters to create a pattern worthy of a haute couture fashion house.
Tommaso Spinzi
htmlText_D6BDB652_BFBC_0CF8_419A_84C97C7D045D.html = Nature that moves through a gesture, that of the hand. Inspired by geometric primitive paintings, a sign of protection and integration with the world.
Studiopepe
htmlText_D6BDF651_BFBC_0CF8_41D7_C0F6BA9BD463.html = A tribute to my grandmother and how she managed to be an interpreter of her era. A tribute to the 40s, to the clothes, the textures, the fascinating and timeless fashion of that period that made women both feminine and self-confident, despite the uncertainty of the historical period between the two wars.
Gupica
htmlText_D7E1B336_BB3E_EAB5_41C2_FF5C24ECD29C.html = An ancient dwelling that tells the story of life and time through the decorations on the walls.
Taken individually, the textures of the mortars, the stencils and small ornamental details offer a mirror of successive eras, composing a contemporary plot that generates a new decorative motif.
Christian Benini
htmlText_D7E1C338_BB3E_EABD_41E3_ED00E3663B4A.html = Patterns created by geometric repetitions in which past and present mingle with contemporary vivacity.
Studiopepe
htmlText_D7E77334_BB3E_EAB5_41E5_6FE071E51D66.html = The visual fragment of an area of passage, between one floor and another, between one story and another. The illusion of a staircase as an element of connection and detachment, the intermediate floor where you can imagine the infinite and metaphorical extension of a building. Behind the observer, above and below this intermediate floor, the many possible residences and stories where the staircase is a service element, a connection, a link, a place to meet, linger and receive.
Bertero Marzoli
htmlText_DA606571_BFD4_0CB8_41DF_374D64141916.html = We finally landed on the island. Beyond the beach we entered a thick, dark, lush forest that was home to a myriad of bird species, lost in what could have been paradise...
Have you ever wanted for a moment to escape from everything and everyone, to live on a desert island?
Lorenzo de Grandis
htmlText_DA61B56F_BFD4_0CA8_41B6_8C79C46D4C4B.html = I imagined Texas and surreal situations in which some plants, like this agave, rich in water inside, can find life in the most arid of deserts. An octopus of chlorophyll that moves its tentacles over a dusty and cracked earth.
Klaus Kremmerz
htmlText_DA66E56D_BFD4_0CA8_41D8_967E96AB45E4.html = As a child, I visited Egypt and was given a beautiful turquoise scarab ring. Scarabs were popular amulets in Ancient Egypt. The Egyptian god Khepri was often depicted as a scarab beetle, rolling the sun above the horizon, carrying it to the other world before renewing it the next day. I found this object fascinating and emblematic, so I used ancient photos as a base for my drawing. After experimenting with many compositions, I chose a dynamic diagonal composition, as if they were flowers floating on water. As the observer approaches, they discover the story of the scarab god, and perhaps be rewarded with some good luck?
Tal Waldman
htmlText_E209CA3B_BFD4_04A8_41DE_FF4615AF58C6.html = Patterns created by geometric repetitions in which past and present mingle with contemporary vivacity.
Studiopepe
htmlText_E20C7A39_BFD4_04A8_41E7_9B38B547279C.html = An ancient dwelling that tells the story of life and time through the decorations on the walls.
Taken individually, the textures of the mortars, the stencils and small ornamental details offer a mirror of successive eras, composing a contemporary plot that generates a new decorative motif.
Christian Benini
htmlText_E32E61C8_BBE2_A9DD_41D4_8DA6B823F747.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_E4519CF1_BBEE_5FCF_41D0_5373B86A4FDE.html = An ancient dwelling that tells the story of life and time through the decorations on the walls.
Taken individually, the textures of the mortars, the stencils and small ornamental details offer a mirror of successive eras, composing a contemporary plot that generates a new decorative motif.
Christian Benini
htmlText_E45E1CF5_BBEE_5FB7_41E7_27CBBEFF8F37.html = I imagined Texas and surreal situations in which some plants, like this agave, rich in water inside, can find life in the most arid of deserts. An octopus of chlorophyll that moves its tentacles over a dusty and cracked earth.
Klaus Kremmerz
htmlText_E45E5CF4_BBEE_5FB5_41DB_425B8D6D38EC.html = As a child, I visited Egypt and was given a beautiful turquoise scarab ring. Scarabs were popular amulets in Ancient Egypt. The Egyptian god Khepri was often depicted as a scarab beetle, rolling the sun above the horizon, carrying it to the other world before renewing it the next day. I found this object fascinating and emblematic, so I used ancient photos as a base for my drawing. After experimenting with many compositions, I chose a dynamic diagonal composition, as if they were flowers floating on water. As the observer approaches, they discover the story of the scarab god, and perhaps be rewarded with some good luck?
Tal Waldman
htmlText_E45ECCF3_BBEE_5FB3_41D0_4744A5F7CBFF.html = Patterns created by geometric repetitions in which past and present mingle with contemporary vivacity.
Studiopepe
htmlText_E45F5CF6_BBEE_5FB5_41C5_9E3CF0A3102A.html = We finally landed on the island. Beyond the beach we entered a thick, dark, lush forest that was home to a myriad of bird species, lost in what could have been paradise...
Have you ever wanted for a moment to escape from everything and everyone, to live on a desert island?
Lorenzo de Grandis
htmlText_E470CE10_BBDE_5A4D_41DC_566B80C8A35B.html = The synthesis of this work is two hands meeting, interlocking. They are the wish for an inseparable union that multiplies, generating infinite potential. The second encounter in this work is between paper and marble, almost a paradox, but we have since learnt that paper can do anything... or almost anything.
Le Dictateur
htmlText_E4711E0F_BBDE_5A53_41E3_D9606801D65B.html = Conciergerie is reminiscent of the hotels of the past, when guests were welcomed by a large wall, where the tassels on the key rings, alternating with the mail and newspapers being delivered, created different patterns each time, depending on the number of guests.
Objects in motion create movement that is not only useful, but also decorative and fascinating, almost becoming an archetype of hotel hospitality.
"When you enter a hotel room and close the door, you know there is a secret, a luxury, a fantasy. There is comfort. There is reassurance."
Diane von Furstenberg
Paolo Badesco - Costantino Affuso
htmlText_E471CE0F_BBDE_5A53_41AF_E22AD264CFD6.html = The images float and twist; the shapes mix. Legibility and order abandon themselves to a new visual tension, of pulsating images, as a natural extension of the experience of dance. A union of mysticism and underground, pop and deco, east and west.
San Francisco 1968
Lorenzo de Grandis
htmlText_E471EE0E_BBDE_5A55_41E5_7CB83E80760E.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_E4770E0D_BBDE_5A57_41DF_0C2B449A84FE.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_E7370396_F360_9535_41B2_1797EA19DD08.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_EABFBC81_BBE1_DE4F_41CC_CA2608E25530.html = The increase of entropy and disorder is the most convincing evidence of the passage of time. Everything and everyone is born in the most 'orderly' state that will never repeat itself ever again. Thus the passage of time leaves not only dust and decay, but also disorder, life.
The classic design of an antique wallpaper absorbs the passage of time and is transformed. It loses its modularity to accommodate a new irregularity. It does not fade, rather it grows like a living thing, while its elements seem to restlessly struggle in an attempt to multiply in a space that is already becoming too tight.
Tommaso Guerra
htmlText_EC89B833_BBE6_A6B3_41E5_92DAB0A81279.html = The visual fragment of an area of passage, between one floor and another, between one story and another. The illusion of a staircase as an element of connection and detachment, the intermediate floor where you can imagine the infinite and metaphorical extension of a building. Behind the observer, above and below this intermediate floor, the many possible residences and stories where the staircase is a service element, a connection, a link, a place to meet, linger and receive.
Bertero Marzoli
htmlText_ECC85BA7_BBE3_BA53_41E4_E5BFB192B704.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_ECCF0BA9_BBE3_BA5F_4193_367C21719E29.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_ECCFDBAB_BBE3_BA53_41D8_18404E4EDD27.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are paintings made in acrylic and mixed techniques, on wooden boards, which now, with Wall&decò, become macro subjects on the entire wall.
The images arise from a single module from which unlimited variations are generated.
It is intended as a tribute to all the women of the world and to their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and to their strength.
Anna Vermiglia de Carlo
htmlText_ECCFFBAD_BBE3_BA57_41D8_C0BD5BB61B4E.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are acrylic and mixed technique paintings on wooden boards; with Wall&decò they have become macro subjects on the entire wall.
The images arise from a single module that generates unlimited variations.
It is intended as a tribute to all the women of the world and their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and strength.
Anna Vermiglia de Carlo
htmlText_EDD901BB_BBE1_A9BC_41CC_666EA2AFD546.html = The increase of entropy and disorder is the most convincing evidence of the passage of time. Everything and everyone is born in the most 'orderly' state that will never repeat itself ever again. Thus the passage of time leaves not only dust and decay, but also disorder, life.
The classic design of an antique wallpaper absorbs the passage of time and is transformed. It loses its modularity to accommodate a new irregularity. It does not fade, rather it grows like a living thing, while its elements seem to restlessly struggle in an attempt to multiply in a space that is already becoming too tight.
Tommaso Guerra
htmlText_F0802CF5_E16E_0B6F_41D6_C92A514B6BA3.html = HERITAGE
The ambience of today that comes from what we have and what we manage to preserve from the past.
Objects and details from the family heritage enhance the environment, making it unique thanks to the history they tell and pass on.
A stratification of materials, geometries and, last but not least, of lives, creates a new contemporaneity, a skilful mix of past and present, which is elegant and never chaotic.
htmlText_F1E50ADE_BB22_BBF5_41DA_DFFCF9867EAB.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are acrylic and mixed technique paintings on wooden boards; with Wall&decò they have become macro subjects on the entire wall.
The images arise from a single module that generates unlimited variations.
It is intended as a tribute to all the women of the world and their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and strength.
Anna Vermiglia de Carlo
htmlText_F1E54ADD_BB22_BBF7_41E2_F7817DE74C43.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are paintings made in acrylic and mixed techniques, on wooden boards, which now, with Wall&decò, become macro subjects on the entire wall.
The images arise from a single module from which unlimited variations are generated.
It is intended as a tribute to all the women of the world and to their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and to their strength.
Anna Vermiglia de Carlo
htmlText_F1E5EADA_BB22_BBFD_41CD_F4092A7A1E99.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_F1EF3AD9_BB22_BBFF_41CB_E016CC5BFE6B.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_F2046137_BB2E_E6B3_41B5_A779B0CFA82B.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_F2191135_BB2E_E6B7_41C9_4E2A44D4D1F1.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_F3500086_BB21_E655_41C3_3F45A8BD9A03.html = Blacksmithery subdues iron in geometric shapes. It is a sort of human power over nature. In the north of Portugal, I was inspired by the charming encounter of inhabited places with iron gates, balconies, and windows overcome by deep nature. Deserted houses surrounded by brush, plants, dust, and leaves reminded me of a place where people lived, dreamed. Iron returns to nature. Textures and colors are created naturally.
Mixed feelings have filled my soul. Light grief, fleeting boredom on rainy summer days.
Maria Gomez Garcia
htmlText_F353C085_BB21_E657_41C3_75170F245972.html = Close your eyes and let yourself be taken on board an old Mehari on the streets of Capri. A well-deserved stop under the palm trees, shirt open and panama on your head. Your holiday in Italy has just begun!
Lorenzo de Grandis
htmlText_F356B082_BB21_E64D_41C3_EF68498F22EC.html = Earl Grey is inspired by the frescoes of Pompeii and by certain medieval decorations that saw the walls of rooms being broken down to let nature in - in both cases a serene nature, tamed by man, the Garden of Eden where flowers, fruit and animals, especially birds, happily mingle.
For my graphic composition I focused my attention on the birds, envisaging an abstract representation through various textures and colours, but always in the name of lightness, inserted within a grid, a trompe l'oeil element on which the vegetation climbs, resulting in an orderly composition.
Francesca Zoboli
htmlText_F511FBA2_BB26_FA4D_41E6_9970341B9F5F.html = An ancient dwelling that tells the story of life and time through the decorations on the walls.
Taken individually, the textures of the mortars, the stencils and small ornamental details offer a mirror of successive eras, composing a contemporary plot that generates a new decorative motif.
Christian Benini
htmlText_F5DC33B7_BB23_E9B3_41E3_1A9E1C74FBC7.html = Patterns created by geometric repetitions in which past and present mingle with contemporary vivacity.
Studiopepe
htmlText_F891825C_BB22_AAF5_41D7_AF2A7ED6F920.html = Blacksmithery subdues iron in geometric shapes. It is a sort of human power over nature. In the north of Portugal, I was inspired by the charming encounter of inhabited places with iron gates, balconies, and windows overcome by deep nature. Deserted houses surrounded by brush, plants, dust, and leaves reminded me of a place where people lived, dreamed. Iron returns to nature. Textures and colors are created naturally.
Mixed feelings have filled my soul. Light grief, fleeting boredom on rainy summer days.
Maria Gomez Garcia
htmlText_F891E25A_BB22_AAFD_41D8_9DF0B81C5EFE.html = Close your eyes and let yourself be taken on board an old Mehari on the streets of Capri. A well-deserved stop under the palm trees, shirt open and panama on your head. Your holiday in Italy has just begun!
Lorenzo de Grandis
htmlText_F89B7257_BB22_AAF3_41C1_6B2859233D00.html = Earl Grey is inspired by the frescoes of Pompeii and by certain medieval decorations that saw the walls of rooms being broken down to let nature in - in both cases a serene nature, tamed by man, the Garden of Eden where flowers, fruit and animals, especially birds, happily mingle.
For my graphic composition I focused my attention on the birds, envisaging an abstract representation through various textures and colours, but always in the name of lightness, inserted within a grid, a trompe l'oeil element on which the vegetation climbs, resulting in an orderly composition.
Francesca Zoboli
htmlText_F97349A7_BB22_6653_41CF_E3D10CB37614.html = One day you wake up and just want to paint hills and spontaneous flowers that grow randomly, eschewing logic, setting or formal evaluations.
A painting so spontaneous and naive that once it is finished, you just want to lie down on the lawn and rest.
Eva Germani
htmlText_F97949AD_BB22_6657_41E4_9B01D7692AF2.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are acrylic and mixed technique paintings on wooden boards; with Wall&decò they have become macro subjects on the entire wall.
The images arise from a single module that generates unlimited variations.
It is intended as a tribute to all the women of the world and their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and strength.
Anna Vermiglia de Carlo
htmlText_F97E19AB_BB22_6653_41B1_850A52597494.html = 'Donne Fiorite' is a project I have been working on for about ten years. They are paintings made in acrylic and mixed techniques, on wooden boards, which now, with Wall&decò, become macro subjects on the entire wall.
The images arise from a single module from which unlimited variations are generated.
It is intended as a tribute to all the women of the world and to their infinite shades of shapes, colours, perfumes, feelings, characters, passions, moods, stories, and to their strength.
Anna Vermiglia de Carlo
htmlText_F97E29AA_BB22_665D_41B6_D1BD136AC5BB.html = I have been lucky to be involved in the restoration of works by the great masters of Italian painting. Over the years, my way of perceiving painting, of reading symbols and images, has changed; I give value not only to the fullness but also to the empty spaces and to those parts of the works that are considered "outlines" of the figures and main subjects.
This artwork is inspired by the beautiful landscapes of Renaissance painting.
Eva Germani
htmlText_F99DE78E_BB2E_6A55_41E4_20836D6F736E.html = As a child, I visited Egypt and was given a beautiful turquoise scarab ring. Scarabs were popular amulets in Ancient Egypt. The Egyptian god Khepri was often depicted as a scarab beetle, rolling the sun above the horizon, carrying it to the other world before renewing it the next day. I found this object fascinating and emblematic, so I used ancient photos as a base for my drawing. After experimenting with many compositions, I chose a dynamic diagonal composition, as if they were flowers floating on water. As the observer approaches, they discover the story of the scarab god, and perhaps be rewarded with some good luck?
Tal Waldman
htmlText_F9A71792_BB2E_6A4D_41E0_26D598C49B08.html = We finally landed on the island. Beyond the beach we entered a thick, dark, lush forest that was home to a myriad of bird species, lost in what could have been paradise...
Have you ever wanted for a moment to escape from everything and everyone, to live on a desert island?
Lorenzo de Grandis
htmlText_F9A76790_BB2E_6A4D_41E4_185B31A17264.html = I imagined Texas and surreal situations in which some plants, like this agave, rich in water inside, can find life in the most arid of deserts. An octopus of chlorophyll that moves its tentacles over a dusty and cracked earth.
Klaus Kremmerz
htmlText_FA9BB38A_BB22_EA5D_41D0_81B7F66762F5.html = Psychedelic visions or reassuring nuances?
Is malice in the eyes of the observer, or does it glide softly and caressingly over the walls in fluid, tapered forms?
It is difficult to say. I leave each observer with his or her own personal interpretation.
Eva Germani
htmlText_FAA0C38B_BB22_EA53_41DC_22288F244F2A.html = The fulcrum of the image is interference.
The ethereal, composed, elegant image of the oriental figure mutates, disintegrates, moves through a disturbance effect typical of analogue televisions.
Interference makes the subject diaphanous, intangible, evanescent.
Christian Benini
htmlText_FC0903DB_BB26_69FC_41E5_06C9B38A2260.html = As a child, I visited Egypt and was given a beautiful turquoise scarab ring. Scarabs were popular amulets in Ancient Egypt. The Egyptian god Khepri was often depicted as a scarab beetle, rolling the sun above the horizon, carrying it to the other world before renewing it the next day. I found this object fascinating and emblematic, so I used ancient photos as a base for my drawing. After experimenting with many compositions, I chose a dynamic diagonal composition, as if they were flowers floating on water. As the observer approaches, they discover the story of the scarab god, and perhaps be rewarded with some good luck?
Tal Waldman
htmlText_FC33C3DE_BB26_69F4_41D5_5F8F60B99E5D.html = We finally landed on the island. Beyond the beach we entered a thick, dark, lush forest that was home to a myriad of bird species, lost in what could have been paradise...
Have you ever wanted for a moment to escape from everything and everyone, to live on a desert island?
Lorenzo de Grandis
htmlText_FC33E3DC_BB26_69F4_41D8_8BF80E5199C1.html = I imagined Texas and surreal situations in which some plants, like this agave, rich in water inside, can find life in the most arid of deserts. An octopus of chlorophyll that moves its tentacles over a dusty and cracked earth.
Klaus Kremmerz
htmlText_FDF80A3A_BFCC_04A8_41D8_1789BA539009.html = Finally, if you look at them closely, the houses and spaces we live in become far removed from the styles and images we set out to achieve. They are made up of "infinite combinations of practices and feelings", perpetually shuffled just like in a card game.
Gio Tirotto
htmlText_FDFD1A3C_BFCC_04A8_41C7_4F9B07F69841.html = Bistrot is a boiserie created through associations of materials such as wool, metal profiles and oversized briar surfaces reminiscent of historic Parisian bistros.
Interpreted both in a warm colour tone of brown and yellow and in a cooler version with shades of blue and grey, the common element of these graphics is the presence of a wool fabric placed in the lower portion of the boiserie itself.
Federico Peri
htmlText_FDFD5A3E_BFCC_04A8_41C7_A6A7F42B13FE.html = Wooden panels reveal natural images with a vintage feel, stored in precious cases.
Serena Confalonieri
htmlText_FDFE0A3F_BFCC_04A8_41DC_4062281DB5DD.html = A modern tribute to Mantegna and Bramante, a contemporary trompe l'oeil that deceives the viewer's eyes, giving the illusion of a non-existent reality. Space is dilated and an ambiguity is created that makes what is actually two-dimensional appear three-dimensional. A sort of set design that merges with the environment and transcends its limits, a simulation of the physical world, which gives life to a subtle game of cross-references between reality and perceptive illusion.
Paolo Badesco - Costantino Affuso
htmlText_FDFFAA40_BFCC_04D8_41DE_3C79469C2A5C.html = The visual fragment of an area of passage, between one floor and another, between one story and another. The illusion of a staircase as an element of connection and detachment, the intermediate floor where you can imagine the infinite and metaphorical extension of a building. Behind the observer, above and below this intermediate floor, the many possible residences and stories where the staircase is a service element, a connection, a link, a place to meet, linger and receive.
Bertero Marzoli
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HotspotPanoramaOverlayArea_8223628B_BFF4_0468_41CC_69A1E83822AC.toolTip = Marble Greet
HotspotPanoramaOverlayArea_82255285_BFF4_0458_41E0_15FF98C124E9.toolTip = Hypnotique
HotspotPanoramaOverlayArea_893379B1_BB66_E64C_41D6_BE5CBC559C15.toolTip = Italian Holidays
HotspotPanoramaOverlayArea_8F8DA01C_BB61_A675_41C4_D08A75DD4C94.toolTip = Rame d’estate
HotspotPanoramaOverlayArea_90B5F8EB_BB61_A7DC_41CD_74D66DC34503.toolTip = Agavé
HotspotPanoramaOverlayArea_91B8DB01_BB22_DA4F_4172_14E515A86417.toolTip = Infinity
HotspotPanoramaOverlayArea_92012D8D_BB26_5E57_41D3_4064C648280D.toolTip = Shamsi
HotspotPanoramaOverlayArea_956702D8_BB62_6BFD_41D6_F634B142E81F.toolTip = Lost Island
HotspotPanoramaOverlayArea_95FCE412_BB6E_EE4D_41CD_B73459E7D656.toolTip = Earl Grey
HotspotPanoramaOverlayArea_98C840FC_BFF4_05A8_41E7_97E9C2DD5965.toolTip = Gesture
HotspotPanoramaOverlayArea_98C8D0FE_BFF4_05A8_41E5_0D2E373AD861.toolTip = O.S.
HotspotPanoramaOverlayArea_98CAA0F8_BFF4_05A8_41D0_8948E3763C9F.toolTip = Tex-tales
HotspotPanoramaOverlayArea_98CBE0FB_BFF4_05A8_41E2_CCB549055893.toolTip = Alba’s Rules
HotspotPanoramaOverlayArea_98E10E01_BB22_BA4F_41C4_F60D469F62B3.toolTip = Hypnotique
HotspotPanoramaOverlayArea_98E12E02_BB22_BA4D_41BE_3590675FA1A6.toolTip = Conciergerie
HotspotPanoramaOverlayArea_98E1BDFF_BB22_B9B3_41E1_48E05B735734.toolTip = Masako
HotspotPanoramaOverlayArea_98E2DE04_BB22_BA55_41E5_51D16C5A905B.toolTip = Marble Greet
HotspotPanoramaOverlayArea_98F15DFB_BB22_B9B3_41E4_4419681FFA26.toolTip = Assenzio
HotspotPanoramaOverlayArea_9D6A2284_BB22_EA55_41D4_3553F1CD339B.toolTip = Naïf
HotspotPanoramaOverlayArea_9D99028B_BB22_EA53_41E6_40BBE892BAA5.toolTip = Bianca
HotspotPanoramaOverlayArea_9D99B288_BB22_EA5D_41E1_70672120F1AA.toolTip = Perugino
HotspotPanoramaOverlayArea_A1683201_BFCC_0458_41E0_928E36384930.toolTip = Chaotic Ordinariness
HotspotPanoramaOverlayArea_A179D1FC_BFCC_07A8_41D6_108968D398B5.toolTip = Le Misure
HotspotPanoramaOverlayArea_A20AF6CE_BAE6_ABD5_41B4_02E0FC10A474.toolTip = Hypnotique
HotspotPanoramaOverlayArea_A2F8F8C2_BAC9_CF23_41C5_219F5CE6F377.toolTip = Bianca
HotspotPanoramaOverlayArea_A3AC497D_BAD9_41E1_41C1_3B251DAFA633.toolTip = Masako
HotspotPanoramaOverlayArea_A409E178_BFCC_04A8_41E0_A46774FF5971.toolTip = Bistrot
HotspotPanoramaOverlayArea_A40A017B_BFCC_04A8_41DD_DE6540D994F3.toolTip = Flow
HotspotPanoramaOverlayArea_A40A417E_BFCC_04A8_41D1_0C208A5C3690.toolTip = Pas d’écran
HotspotPanoramaOverlayArea_A40B117F_BFCC_04A8_41E1_91082E7D8C33.toolTip = Interpiano
HotspotPanoramaOverlayArea_A41A8174_BFCC_04B8_41CD_0F0234D96E4A.toolTip = Playwall
HotspotPanoramaOverlayArea_A6EB61CD_BAE2_E9D7_41E6_F5FE597864FE.toolTip = Conciergerie
HotspotPanoramaOverlayArea_A7F2B5AE_BB23_AE55_41A5_B4C879995375.toolTip = Marble Greet
HotspotPanoramaOverlayArea_A923775A_BFDC_0CE8_41E6_6798B44509D8.toolTip = Masako
HotspotPanoramaOverlayArea_A932375F_BFDC_0CE8_41E6_89183FF14919.toolTip = Marble Greet
HotspotPanoramaOverlayArea_A933375C_BFDC_0CE8_41E4_8F434862F9FC.toolTip = Hypnotique
HotspotPanoramaOverlayArea_A933F75D_BFDC_0CE8_41DB_589AA8CE92B5.toolTip = Conciergerie
HotspotPanoramaOverlayArea_A9C177AE_BABE_C162_41E2_4BE5811394E0.toolTip = Perugino
HotspotPanoramaOverlayArea_ACC70211_BAC6_C321_41DA_73A90DCE5ED1.toolTip = Assenzio
HotspotPanoramaOverlayArea_AF2A7863_BAFF_A6D3_41E5_AA710B4CB767.toolTip = Perugino
HotspotPanoramaOverlayArea_AF2BB861_BAFF_A6CF_41D9_7FAA1265478D.toolTip = Naïf
HotspotPanoramaOverlayArea_AF2BC860_BAFF_A6CD_41E3_3A742006C679.toolTip = Masako
HotspotPanoramaOverlayArea_AF5AF85D_BAFF_A6F7_41DE_5B55757FA977.toolTip = Assenzio
HotspotPanoramaOverlayArea_C3B14472_BB26_6ECD_41E4_B1C3D848F23F.toolTip = O.S.
HotspotPanoramaOverlayArea_CBA30452_BB22_EECD_41E0_FA2A8BBBB1ED.toolTip = Tex-tales
HotspotPanoramaOverlayArea_CBD5DEBE_BB26_BBB5_41DF_183D6278C20B.toolTip = Pas d’écran
HotspotPanoramaOverlayArea_CBE9E230_BB2E_6A4C_41C9_A9B8B4A216CF.toolTip = Bistrot
HotspotPanoramaOverlayArea_CD51F490_BB2E_6E4D_41CE_58E0209EA413.toolTip = Gesture
HotspotPanoramaOverlayArea_CFAAB224_BB22_AA54_4198_122683D9045A.toolTip = Alba’s Rules
HotspotPanoramaOverlayArea_D0539F0B_BB26_7A53_41E1_FA3DFCA9561F.toolTip = Playwall
HotspotPanoramaOverlayArea_D2FACFC9_BB22_D9DC_4176_984D1ABACDBF.toolTip = Flow
HotspotPanoramaOverlayArea_D6BC1651_BFBC_0CF8_41DF_9964E784E08B.toolTip = Alba’s Rules
HotspotPanoramaOverlayArea_D6BD2653_BFBC_0CF8_41D8_FB30091A9B70.toolTip = O.S.
HotspotPanoramaOverlayArea_D6BD6652_BFBC_0CF8_41E5_5A43D2E3595A.toolTip = Gesture
HotspotPanoramaOverlayArea_D6C2464E_BFBC_0CE8_41D6_7AA294771F2F.toolTip = Tex-tales
HotspotPanoramaOverlayArea_D7E04336_BB3E_EAB5_41BC_AF2850A76D5E.toolTip = Le Misure
HotspotPanoramaOverlayArea_D7E1E337_BB3E_EAB3_41E2_7A2E76C66AA1.toolTip = Chaotic Ordinariness
HotspotPanoramaOverlayArea_D7EEF333_BB3E_EAB3_418A_7EC22C2F2C9F.toolTip = Interpiano
HotspotPanoramaOverlayArea_DA618571_BFD4_0CB8_41CE_8EADA05E989A.toolTip = Lost Island
HotspotPanoramaOverlayArea_DA61D56F_BFD4_0CA8_41E5_F65F3537C3CB.toolTip = Agavé
HotspotPanoramaOverlayArea_DA9F456C_BFD4_0CA8_41B7_1E680294DCBE.toolTip = Infinity
HotspotPanoramaOverlayArea_E206FA38_BFD4_04A8_41D4_8AE9369A3453.toolTip = Le Misure
HotspotPanoramaOverlayArea_E2092A3A_BFD4_04A8_41E2_14877BF80F2D.toolTip = Chaotic Ordinariness
HotspotPanoramaOverlayArea_E32E51C8_BBE2_A9DD_41BF_E05D5E2ECE11.toolTip = Masako
HotspotPanoramaOverlayArea_E4512CF2_BBEE_5FCD_41AB_31E54A4343C9.toolTip = Chaotic Ordinariness
HotspotPanoramaOverlayArea_E451CCF1_BBEE_5FCF_41BA_30AA668EFF56.toolTip = Le Misure
HotspotPanoramaOverlayArea_E45E7CF5_BBEE_5FB7_41D0_1F099A3FBFB5.toolTip = Agavé
HotspotPanoramaOverlayArea_E45EBCF4_BBEE_5FB5_41D1_C69FAA851FCF.toolTip = Infinity
HotspotPanoramaOverlayArea_E45FBCF6_BBEE_5FB5_41C1_B4A2A71F55BA.toolTip = Lost Island
HotspotPanoramaOverlayArea_E470EE10_BBDE_5A4D_41E3_D86873AEC00E.toolTip = Marble Greet
HotspotPanoramaOverlayArea_E4713E0F_BBDE_5A53_41C6_0FFB3DFA14E1.toolTip = Conciergerie
HotspotPanoramaOverlayArea_E4715E0E_BBDE_5A55_41D4_C8862DF86F87.toolTip = Hypnotique
HotspotPanoramaOverlayArea_E4720E0E_BBDE_5A55_41B8_091405EA6BF3.toolTip = Masako
HotspotPanoramaOverlayArea_E5808E0C_BBDE_5A55_4186_7D8A66368E50.toolTip = Assenzio
HotspotPanoramaOverlayArea_E7495390_F360_950D_41E8_0F1EBCB6933C.toolTip = Naïf
HotspotPanoramaOverlayArea_EABF4C81_BBE1_DE4F_41DD_1D9804993548.toolTip = Poppies Mesh
HotspotPanoramaOverlayArea_EC836831_BBE6_A64F_41D5_8EB0108BFAD5.toolTip = Interpiano
HotspotPanoramaOverlayArea_ECCF3BAB_BBE3_BA53_41E4_4FDAE09D6F55.toolTip = Bianca
HotspotPanoramaOverlayArea_ECCF6BA9_BBE3_BA5F_41C9_1804D445A67F.toolTip = Perugino
HotspotPanoramaOverlayArea_ECCFDBAC_BBE3_BA55_41E4_5836476281FC.toolTip = Shamsi
HotspotPanoramaOverlayArea_ECDEDBA5_BBE3_BA57_41E1_98EEC5140BE0.toolTip = Naïf
HotspotPanoramaOverlayArea_EDD4D1BA_BBE1_A9BC_41D6_86F59081E528.toolTip = Poppies Mesh
HotspotPanoramaOverlayArea_F1E56ADE_BB22_BBF5_41CB_70114E7BA1CE.toolTip = Shamsi
HotspotPanoramaOverlayArea_F1E5AADC_BB22_BBF5_41E4_2D65487A211C.toolTip = Bianca
HotspotPanoramaOverlayArea_F1E5CADA_BB22_BBFD_41D1_8F48BD43675A.toolTip = Perugino
HotspotPanoramaOverlayArea_F1F6BAD8_BB22_BBFD_41E6_5AB9FCA9A333.toolTip = Naïf
HotspotPanoramaOverlayArea_F2040136_BB2E_E6B5_41B1_5D3C213C1F42.toolTip = Masako
HotspotPanoramaOverlayArea_F2129134_BB2E_E6B5_41BA_7303AAC08732.toolTip = Assenzio
HotspotPanoramaOverlayArea_F3505086_BB21_E655_41DB_38A7ED1AFB1E.toolTip = Rame d’estate
HotspotPanoramaOverlayArea_F353E084_BB21_E655_41D6_657A212982DF.toolTip = Italian Holidays
HotspotPanoramaOverlayArea_F511ABA2_BB26_FA4D_41DD_88372007E3F6.toolTip = Le Misure
HotspotPanoramaOverlayArea_F5DDD3B7_BB23_E9B3_41E2_27CB304D3559.toolTip = Chaotic Ordinariness
HotspotPanoramaOverlayArea_F8817255_BB22_AAF7_41D9_8D578EFB9311.toolTip = Earl Grey
HotspotPanoramaOverlayArea_F891725C_BB22_AAF5_41E5_0B7A3CA48F8E.toolTip = Rame d’estate
HotspotPanoramaOverlayArea_F891C25A_BB22_AAFD_41BC_8A519E052825.toolTip = Italian Holidays
HotspotPanoramaOverlayArea_F968C9A6_BB22_6655_4181_8360BB5E5D27.toolTip = Naïf
HotspotPanoramaOverlayArea_F97969AC_BB22_6655_41DD_F629250681D6.toolTip = Shamsi
HotspotPanoramaOverlayArea_F97989AB_BB22_6653_41E2_8ABCFE3DE066.toolTip = Bianca
HotspotPanoramaOverlayArea_F97E49A9_BB22_665F_41D7_0EA35B39C2A3.toolTip = Perugino
HotspotPanoramaOverlayArea_F997C78E_BB2E_6A54_41CE_5B78BAE1B6B1.toolTip = Infinity
HotspotPanoramaOverlayArea_F9988790_BB2E_6A4D_41D0_FE435177C98A.toolTip = Agavé
HotspotPanoramaOverlayArea_F9A73792_BB2E_6A4D_41D2_32BF91F621B1.toolTip = Lost Island
HotspotPanoramaOverlayArea_FA91B389_BB22_EA5F_41D9_3DB2BC8D089F.toolTip = Assenzio
HotspotPanoramaOverlayArea_FAA0E38B_BB22_EA53_41C1_71A7B6A7727E.toolTip = Masako
HotspotPanoramaOverlayArea_FC02A3DA_BB26_69FC_41B7_080DA77525A7.toolTip = Infinity
HotspotPanoramaOverlayArea_FC0C03DC_BB26_69F4_41E6_3211DC025983.toolTip = Agavé
HotspotPanoramaOverlayArea_FC3353DD_BB26_69F4_41C2_D486A9C69514.toolTip = Lost Island
HotspotPanoramaOverlayArea_FCA0B081_BB21_E64F_41E4_2F9ED0E483F2.toolTip = Earl Grey
HotspotPanoramaOverlayArea_FDEFAA38_BFCC_04A8_41DA_AF701EF0F76E.toolTip = Playwall
HotspotPanoramaOverlayArea_FDFD3A3C_BFCC_04A8_41CE_738AAD052F66.toolTip = Bistrot
HotspotPanoramaOverlayArea_FDFE2A3F_BFCC_04A8_41E4_4A767E5FFA24.toolTip = Pas d’écran
HotspotPanoramaOverlayArea_FDFE4A40_BFCC_04D8_41D6_FDF8403E05F6.toolTip = Interpiano
HotspotPanoramaOverlayArea_FDFEEA3D_BFCC_04A8_41DD_162E5A07F1A1.toolTip = Flow
## Action
### URL
LinkBehaviour_18B850C6_017A_6A9C_4172_8562767B46F8.source = ../wemu5-0-en/index.htm
LinkBehaviour_1DC34BB1_2552_148F_41BC_0455A06C5A4C.source = ../wemu5-tank-en/index.htm
LinkBehaviour_1DC3BBB2_2552_148D_41A8_EC68772054FC.source = ../wemu5-1-en/index.htm
LinkBehaviour_1DC3FBB3_2552_14F3_41BB_314F8ACB9B37.source = ../wemu5-3-en/index.htm
LinkBehaviour_1DC42BB4_2552_14F5_41C1_DBA4439BDD43.source = ../wemu5-2-en/index.htm
LinkBehaviour_821255B4_E3CA_FB00_41E4_49FD623E69D3.source = ../wemu5-tank-en/index.htm
LinkBehaviour_B4CB8822_2224_0C60_41BD_F6E6D16E01F7.source = ../wemu5-1-en/index.htm
LinkBehaviour_B4CB9822_2224_0C60_41B1_D9BFF9743054.source = ../wemu5-2-en/index.htm
LinkBehaviour_B4CBA822_2224_0C60_41B3_704710EC4084.source = ../wemu5-3-en/index.htm
LinkBehaviour_B99799E6_E3DA_0B00_41B4_801B5809BFE5.source = ../wemu5-tank-en/index.htm
LinkBehaviour_BCC40760_E3C6_0700_41E3_A106C771AF1D.source = ../wemu5-tank-en/index.htm
LinkBehaviour_BF28319C_2224_7C20_41B5_430A3089B95C.source = ../wemu5-tank-en/index.htm