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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
Technical info
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
Technical info
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
Technical info
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
Technical info
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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A blank canvas awaiting to be embroidered, a landscape, a city to be reconnected, history and contemporaneity just waiting to be stitched together, window after window, floor after floor, building after building, between the lines. The lines create a connection between the parts, a canvas on which both the pre-existing architectural element and the thread with which the landscape is stitched together emerge. With the strength and delicacy of a thread, with the persistence of repetition, a bond is created between past and present, between history and contemporaneity.
Bertero Marzoli
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An abstract gesture of three-dimensional intertwining straight and curved lines, which like brushstrokes emphasise and allude to the curved motion of the design in continuous evolution and movement. The texture develops in space like a tattoo on the skin, transforming the wooden surface into a unique and unrepeatable work.
Debonademeo
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An abstract gesture of three-dimensional intertwining straight and curved lines, which like brushstrokes emphasise and allude to the curved motion of the design in continuous evolution and movement. The texture develops in space like a tattoo on the skin, transforming the wooden surface into a unique and unrepeatable work.
Debonademeo
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An abstract gesture of three-dimensional intertwining straight and curved lines, which like brushstrokes emphasise and allude to the curved motion of the design in continuous evolution and movement. The texture develops in space like a tattoo on the skin, transforming the wooden surface into a unique and unrepeatable work.
Debonademeo
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An abstract gesture of three-dimensional intertwining straight and curved lines, which like brushstrokes emphasise and allude to the curved motion of the design in continuous evolution and movement. The texture develops in space like a tattoo on the skin, transforming the wooden surface into a unique and unrepeatable work.
Debonademeo
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If at first glance the pattern seems to repeat windows, skyscraper façades and roads, over time the urban references translate into quasi-sculptural material partitions. The warm-cold colour contrast of plasters and metals emerges, the constant rhythm of solids and voids makes itself felt, the volumetric plays and the chiaroscuro rhythm emerge. The result is a seamless graphic representation interrupted by vertical and horizontal slits that give the nod to Arte Povera tinged in an industrial and glamorous style, while enhancing the sense of spaciousness.
Debonademeo
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If at first glance the pattern seems to repeat windows, skyscraper façades and roads, over time the urban references translate into quasi-sculptural material partitions. The warm-cold colour contrast of plasters and metals emerges, the constant rhythm of solids and voids makes itself felt, the volumetric plays and the chiaroscuro rhythm emerge. The result is a seamless graphic representation interrupted by vertical and horizontal slits that give the nod to Arte Povera tinged in an industrial and glamorous style, while enhancing the sense of spaciousness.
Debonademeo
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If at first glance the pattern seems to repeat windows, skyscraper façades and roads, over time the urban references translate into quasi-sculptural material partitions. The warm-cold colour contrast of plasters and metals emerges, the constant rhythm of solids and voids makes itself felt, the volumetric plays and the chiaroscuro rhythm emerge. The result is a seamless graphic representation interrupted by vertical and horizontal slits that give the nod to Arte Povera tinged in an industrial and glamorous style, while enhancing the sense of spaciousness.
Debonademeo
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If at first glance the pattern seems to repeat windows, skyscraper façades and roads, over time the urban references translate into quasi-sculptural material partitions. The warm-cold colour contrast of plasters and metals emerges, the constant rhythm of solids and voids makes itself felt, the volumetric plays and the chiaroscuro rhythm emerge. The result is a seamless graphic representation interrupted by vertical and horizontal slits that give the nod to Arte Povera tinged in an industrial and glamorous style, while enhancing the sense of spaciousness.
Debonademeo
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CITIES
The new OUT System 2022 collection is set in the urban landscape of Milan. A cross-sectional scouting of walls and façades that engage with constructions, both historic and new, showcasing the dual expressive power of OUT System, enhancing the intrinsic beauty of buildings while also giving them a new lease of life through true aesthetic requalification.
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CITIES
The new OUT System 2022 collection is set in the urban landscape of Milan. A cross-sectional scouting of walls and façades that engage with constructions, both historic and new, showcasing the dual expressive power of OUT System, enhancing the intrinsic beauty of buildings while also giving them a new lease of life through true aesthetic requalification.
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"The eye sees not things but images of things that mean other things".
Invisible Cities, Italo Calvino.


The scene of a superimposition between the real and imagined city is immortalized by this work, a wall that comes alive as a new story unfolds, in which people and things move themselves and the landscape, in which a new layer is added to the existing one, elaborating on recounted stories and scenes, to evoke an imaginary depth, perhaps in the memory of another place, another 'figure'.


Bertero Marzoli


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"The eye sees not things but images of things that mean other things".
Invisible Cities, Italo Calvino.


The scene of a superimposition between the real and imagined city is immortalized by this work, a wall that comes alive as a new story unfolds, in which people and things move themselves and the landscape, in which a new layer is added to the existing one, elaborating on recounted stories and scenes, to evoke an imaginary depth, perhaps in the memory of another place, another 'figure'.


Bertero Marzoli


htmlText_FEFF6915_CC8A_725C_41E2_37745DAF7F0D.html =
"The eye sees not things but images of things that mean other things".
Invisible Cities, Italo Calvino.


The scene of a superimposition between the real and imagined city is immortalized by this work, a wall that comes alive as a new story unfolds, in which people and things move themselves and the landscape, in which a new layer is added to the existing one, elaborating on recounted stories and scenes, to evoke an imaginary depth, perhaps in the memory of another place, another 'figure'.


Bertero Marzoli


htmlText_D3426E9E_C74C_2920_41E5_607C919535E8.html =
"The eye sees not things but images of things that mean other things".
Invisible Cities, Italo Calvino.


The scene of a superimposition between the real and imagined city is immortalized by this work, a wall that comes alive as a new story unfolds, in which people and things move themselves and the landscape, in which a new layer is added to the existing one, elaborating on recounted stories and scenes, to evoke an imaginary depth, perhaps in the memory of another place, another 'figure'.


Bertero Marzoli


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